Wednesday 12 December 2012

Amour


I went to the cinema last night and saw this film. Its a very powerful and affecting study of ageing and care, of love and of death. In short its the best film I've seen all year.

Anne and Georges are retired music teachers in their eighties. The film is largely set in their apartment. We see the elderly couple going about their daily life, caring for each other in many small ways. They have a rather self-obsessed daughter who lives abroad. Then Anne suffers a minor stroke and has to go for treatment in hospital. When she returns in a wheelchair she makes Georges promise that he will never put her back in hospital or in a nursing home. Georges agrees and the core of the film is the day to day love and care of that relationship. There are many challenges of course. Georges is elderly and a little infirm. Anne is frustrated by her incapacity. But they surmount these with humour and respect.

Anne suffers another stroke and becomes paralysed down one side, then begins to show signs of dementia. It is a struggle for Georges but he continues to be her carer. Despite Anne's infirmities they sing and play little games together. One day their daughter arrives, insisting that her mother be put in a home. Georges refuses and the daughter departs. But even with the assistance of a nurse and neighbours, the task of caring for the severely incapacitated Anne slowly becomes too much for Georges. Over the course of the film he deteriorates perceptibly. In the end there is a dramatic twist (the film opens with the police breaking down the apartment door to find Anne's body and concludes with the daughter walking around the now empty rooms).

Having sketched the plot, I imagine anyone who has not yet seen the film is thinking: this is such a painful story, how could it be a great film? Well it is great because it focusses on the little and large acts of kindness, love and selflessness that make human relationships work. It is great because it shows that this care, humanity and respect can surmount even the most demanding circumstances. It is great because it unflinchingly shows us our futures (ageing and death) and reminds us that we can't change this outcome, but then says - how you get there as a human being is what really matters.

Above all, it is honest and heartfelt. It comes as no surprise to find that the film was based on real events in the family of writer/director Michael Haneke. Amour won the main prize at the Cannes Film Festival this year. In its scope and tone there are echoes of Tokyo Story (one of the greatest films of the last century).

I immediately thought of my father, who was paralysed down one side after a major stroke. Especially, the many hours I spent trying to communicate with him (he had lost the power of speech) and the long debates inside the family about a suitable care home. But all to no avail, as he died from pneumonia after three months in hospital.

Then I thought about myself. In particular, my own incapacity after the big operation last year and the care I'd been given in the early days by Joanne (which I never fully thanked her for). As Georges struggled with Anne, I relived the many problems that everyday things (that we normally think nothing of) bring for someone who is incapacitated: getting in and out of bed, washing, the toilet, walking, etc. I knew I'd come a very long way since those dark days. I'm hoping I still have a good distance to go.
 

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